Max Pinckers (b.1988, BE) grew up in Indonesia, India, Australia and Singapore, and is currently based in Brussels, Belgium. His work explores the critical, technological, and ideological structures that surround the production and consumption of documentary images. Documentary photography, for Pinckers, involves more than the representation of an external reality: it’s a speculative process that approaches reality and truth as plural, malleable notions open to articulation in different ways.