Begun in the early Eighties, this artist-run periodical features a wide range of visual art, artists’ projects, essays, poetry, and fiction; each issue is guest-edited and devoted to a specific cultural theme.
In this issue editor Charlie Citron delves into memory, inspired by Jonathan Spence’s The Memory Palace of Matteo Ricci, which tells the story of the 16th Jesuit monk who taught Latin memory techniques in China. The artists explore a range of memories, from personal recollections and historical anchors to the influence of memory and identity in art.
Contributors include: Caro Bensca, Anna Best, Stefan Bohnenberger, Denise Carvalho, Sylvia de Swaan, Daniel Dewaele, Jårg Geismar, Bernhard Geyer, Susanne Greven, Peter Haffenden, Jennie C. Jones, David Mills, Ann Rosen, Keiko Sei, Sandi Slone, artists statements by Leo, Douglas Allsop, and Siobhan Davies collected by David Lillington, and others.